https://yeh-chu-sheng-exhibition.carrd.co 2025-11-03 daily 1.0 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/image02.jpg https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/4bd766f3.jpg 1.把藝術帶回生活現場，讓作品在沙發與日光之間自行說話。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/3dbb7983.jpg 2.在居家場域裡，抽象不是距離，而是與身體日常同頻的呼吸。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/0772d320.jpg 3.作品的誠實，勝過形式的華麗；放進日常空間尤顯分明。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/695b797a.jpg 4.心靈環保不只是一個題目，而是把觀看習慣慢慢淨化的實踐。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/59b477d8.jpg 5.抽象繪畫在客廳裡，更像一扇窗，讓自然與內在相互流通。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/50df83cf.jpg 6.畫面中的滴流與覆寫，像日常中反覆修補的心情。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/08f61892.jpg 7.把自然的律動帶進家具展間，是對空間功能的一次溫柔質疑。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/50b4d2cf.jpg 8.當藝術進入家中，「觀看」就從活動變成生活方式。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery01/122da39c.jpg 9.線條與色面不是裝飾，它們在日常裡延伸為時間的層理。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery04/de18ac8c.jpg 1.「變遷」指向環境的改變，「共生」則提醒我們與自然的倫理位置。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery04/feb9d778.jpg 2.「在台中的展場，我更在意畫與空間的對話，而非說明文字的說服。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery04/eeeb2ad8.jpg 3.一幅畫若能在觀眾心中留下問題，那才是最好的結束方式。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery04/165b6f43.jpg 4.展覽不是再現風景，而是把環境經驗轉成可以被居住的心景。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery04/f299a137.jpg 5.我希望觀者在畫前思考：我們如何與海洋共享未來？ https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery04/f1f6b5c5.jpg 6.作品裡的滴流與覆寫，像潮汐與地層的時間，緩慢卻不停止。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/b6178705.jpg 1.我把風災後撿到的漂流木帶進展場，作為生命斷截的證據。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/d2f780d9.jpg 2.〈88河殤〉不是災難的再現，而是呼喚人對自然的謙卑與共生。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/29af18c8.jpg 3.以憂傷、悲憫的心情創作，回應自然生命的感喟。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/cf3c8ec9.jpg 4.以漂流木裝置與抽象繪畫並置，讓空間成為災後地景的延續 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/f31955be.jpg 5.曲折線條、交疊色塊、蜿蜒肌理，呼應河道的非秩序與重生。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/c247d011.jpg 6.我希望觀者在裝置與畫面之間，思考破壞與重生的關係。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/27d52553.jpg 7.以「槐如痍木，沽荄獨存」之懷殤，面對山林崩毀與溪谷殘骸。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/4934d420.jpg 8.我讓材料自己說話，讓觀者在現場讀出時間的堆積。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/57fc5b88.jpg 9.〈88河殤〉期望喚起對自然生態的關懷與重視。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/8be48e12.jpg 10.展名中的「河殤」指向地景創傷與倫理追問的雙重層次。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/bc3b95d9.jpg 11.展覽以海、河為主的創作性素描與複合媒材，構築主題意境。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/7f225be0.jpg 12.從環境生態進入心靈層面，將災後經驗化為內在修復的路徑。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/7c443493.jpg 13.災後的非秩序，孕育出新的秩序與生命可能。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/65229828.jpg 14.素描性文件是創作過程的紀錄，也為台灣自然留下演變的敘事。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/2b587b95.jpg 15.讓美與反省同時進入生活，是我一直在做的事。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/e2588e13.jpg 16.展場的漂流木自入口延展成多層次川流動線，引導觀看如行走於河。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/d888a73b.jpg 17.把外在的地景，轉為畫面上存在的證詞 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/c47fbbfb.jpg 18.以抽象語言討論自然與人，讓共生成為創作的關鍵詞。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/02d50655.jpg 19.在裝置—繪畫—動線之間，觀者完成一次儀式性的視覺經驗。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/d679d018.jpg 20.我在畫中記錄呼吸的節奏，而不是複製風景。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/5e60b20c.jpg 21.大火、風災之後，創作回到生活本身，從無常再啟。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/e7ca455e.jpg 22.讓空間與材料共鳴，作品才能超越畫框說話。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/ad861468.jpg 23.觀者的行走，是再一次修復與見證的過程。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/c163aaca.jpg 24.在赭紅與深黑之間，安放憤懣、哀悼與希望。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/7bfea8ce.jpg 25.八八之後，我選擇用抽象與裝置去回應，而不是說教。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery03/91d2c0b2.jpg 26.顧念土地，是創作也是責任；〈88河殤〉是一封寫給台灣的信。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/image03.jpg https://yeh-chu-sheng-exhibition.carrd.co/assets/images/image04.jpg https://yeh-chu-sheng-exhibition.carrd.co/assets/images/image01.jpg https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery02/163a58e3.jpg 1.抽象與環境議題並不矛盾；在家居空間，它們共同提示我們如何與世界共生。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery02/df3e907c.jpg 2.讓材料自行發聲，讓空間自行回響；藝術與場域互為媒介。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery02/3e41401f.jpg 3.面對無常的體悟，回到生活本身；把畫掛在牆上，就是一次回應。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery02/95fa9975.jpg 4.觀者在移動、就坐、對話之間，與作品不斷重啟關係。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery02/11615e9c.jpg 5.作品在白盒子裡是光，在日常空間裡是溫度。 https://yeh-chu-sheng-exhibition.carrd.co/assets/images/gallery02/eea154ba.jpg 6.把藝術帶回家，就是把思考留在生活裡。